Erin Costelo is a throwback; a songwriter that brings to mind the ‘golden age’ of music. Her fifth full-length album, SWEET MARIE, out November 2, 2018, on Compass Records, is 10-song collection recorded in 10 days in a timber-frame home on the ocean in Little Harbour, Nova Scotia. The album was brought to life in January amidst Canadian winter storms and pounding surf of the east coast. Produced by Costelo herself, SWEET MARIE finds the native Nova Scotian looking at a world and an industry that pushed her to the edge of ending her musical career – and finds herself pushing back. Pulsing with a confident and cathartic energy, her incredible voice, drawing comparisons to such icons as Nina Simone and Carole King, soars even as her songs dive deep. Although she wears many influences on her sleeve, Costelo is unquestionably herself, a singular artist of maturity and importance; a maverick, unfettered by trend, fashion or industry ‘pathway.’
Costelo has assembled an ace group of Canadian players for the album, including Glenn Milchem on drums (Blue Rodeo), Anna Ruddick on bass (Randy Bachman), Leith Fleming-Smith on organ (Matt Mays, Hawksley Workman) and her long-time partner, Clive MacNutt, on guitar. Taking inspiration from sources as varied as Dylan and Randy Newman, Costelo delivers a genre-defying batch of songs that sound at once timeless, timely and completely fresh.